Mic Kaczmarczik's Shielding Procedure Information

Shielding Procedure


Guitars

Shielding Procedure

This directory contains USENET articles Mic has saved about guitars, equipment, pickup, techniques, players, and so on. Mic has graciously granted permission to post the stuff on the JT30 page on the off chance that it might be useful in the context of Blues Harmonica. Mic is not responsible for the content, just the collection.

Guitars

Shielding Procedure
From sirman--(at)--rl.com Sat Oct 7 21:21:32 CDT 1995
Article: 62053 of alt.guitar
From: sirman--(at)--rl.com (Mike Sirmans)
Newsgroups: alt.guitar
Subject: Re: ***Sheilding a Strat***
Date: Sat, 07 Oct 1995 06:08:32 GMT
Organization: CRL Dialup Internet Access
Lines: 104
Message-ID: <454r13$m5--(at)--ntp.crl.com>
References: <450gne$1m--(at)--ntpd.lkg.dec.com>
NNTP-Posting-Host: crl8.crl.com
X-Newsreader: Forte Free Agent 1.0.82


stoodle--(at)--olar.enet.dec.com wrote:


> Hi folks!
>I've been thinking about shielding my Fender Strat on my next string change.
>Here's the procedure I'm planning to follow:
>1. Remove pickguard.
>2. Place copper foil on inside face of pick guard.
>3. Cut out holes for pickups and remove excess.
>4. Solder wire to copper foil.
>5. Solder other end of wire to ground on pot.
>6. Replace pickguard and check for reduction in hum.
>Anyone ever try to shield their guitar using this method? What do you
>folks think of this method?
> Thanks,
> Blair.


Blair, I just got through doing something very similar to my '78
Stratocaster. The thing had an abominable amount of HUM and other
noises before I made the following modifications, even a metal
ground-plate in back of the pickups (in the cavities) made very little
improvement until I 'shielded' the pickguard. Here's my method...


1. Remove the pickguard.
2. De-Solder the two wires to the strat's 1/4-inch phone jack
(this makes working with the pickguard possible).
2. Remove all of the "electronics" (ie: pickups, pots, switches).
3. Clean & prepare the back side of the pickguard to receive
a foil backing surface (remove any glues or oils). Be careful
not to damage the pickguard in any way. Carefully remove the
Fender serial number label and save it safely away (this can
be done without tearing it if you go slow and easy).
4. Use 3M adhesive spray or Borden (like the cow) adhesive spray
to lightly "dust" the dull side of about 1-square foot of heavy
grade aluminum foil. The coating should be just enough to dull
the shine on the aluminum, no more. Let this "set up" for about
3 to 5 minutes to become "tacky". The two adhesives mentioned
DO NOT chemically react with the plastic pickguard material.
Almost every other product contains petroleum by-products that
will eat into the plastic... Use only those products suggested
or others that are specifically designed for work with plastics.
If you put the foil on before the adhesive sets up, then the bond
to the pickguard will be permanent. If you let it become tacky
(about 3-5 minutes) then it will become something like one of
those removable gummed labels.
5. Carefully apply the foil (dull side to plastic, bright side up)
to the back of the pickguard. Use your finger to burnish down
the foil and remove all of the air bubbles. Be very careful to
not cause any creases in the foil. Appearance is very important
because it affects your ablilty to cut the foil properly.
6. Using a very sharp X-acto knife, cut out around all of the pickup
routs and around the outside of the pickguard. If you are not
careful, you can ruin the pickguard or cut yourself ...so do not
rush this step. It is best to use a knife-point that comes to a
very sharp (triangular) point so that you can get into all of the
tiny cutouts and make clean edges. Cut out every screw-hole and
the slot for the switch. It works best if you cut from the foil-
side and take your time. The foil is easy to tear at this point
so you should take your time and do it right. Keep flipping the
pickguard over and view if from the front... if any foil is visible
carefully remove it. Keep burnishing down the foil with your
fingers occasionally as you work through the cutting. This helps
to keep the foil stable, and removes any "lifting" that may occur
due to flexing of the pickguard.
7. Let the glue completely dry a few hours. (this is a good time to
clean up the newspaper you used to protect your workbench from the
adhesive overspray).
8. Re-attach all of the electronics to the pickguard, being careful
to not harm the foil. Make all of your ground connections to a
single point on the back of the volume pot. Re-solder the ground
and signal lead from the 1/4-inch jack to the volume-pot. The
white (signal) lead should go to the center wiper on the volume
pot. The black (ground) lead should be soldered to the back of
the volume-pot case.
9. Reattach the serial number label to the back of the pickguard and
mount the pickguard onto the body. If you have done your job
correctly... you will not be able to see any visible signs that
you have put foil in the guitar. The pickguard should rest tightly
against the wood just like it did before. Other materials, such
as copper-foil are not suitable because they are too thick and
besides being hard to "work" would raise the pickguard up away from
the body of the guitar.
10. Wail away.


Single coil pickups will always be susceptable to magnetic or
electrostatic fields, but the addition of a "ground-plane" behind the
pickguard will greatly reduce the susceptability to AC-hum and other
offending stuff. Additionally, on some pickguards which tended to
pickup a static charge, the ground-plane eliminates the "popping"
sounds which occur as the static discharges into your hands or
fingertips. (Not all Fender materials hold static charges).


Like any thing that is done right, this modification does take a
little time and effort... but the results are well worth it. In my
case it made the difference in deciding whether to keep the guitar or
to sell it. I finished it up by adding a set of Texas-Specials
and installing aged white knobs and switch-tip to match the pickup
covers. The '78 Strat has a Louisville-slugger thick neck and a
tri-laminate black/white/black pickguard on a natural swamp-ash body.
Strings are D'Addario Half-round Series-II 10-46's with a low action.


I kept the guitar.






 

Index:

Albert Collins Tuning
Albert Video
Aluminum Shielding
Beatles Guitars
Best Guitar Cords
Big Muffs reviewed
Bigsby for a Les Paul
Blues Lyrics
BluesHawk Review
BPM Music Express
Buddy Guy Bassman Settings
Calculate Treble Bypass Resistor
Calculate Treble
Case supplier
CE 22 Review
Chandler Lap Steels
Chord to HTML
Clapton Auction Totals
Correct Pot Value
Custom Decal Blanks
Custom Decals
Daddy O Review
Dampen Trem Springs
Dating Gretsches
DeArmond Pickups
Directional cables
DIY DeltaTone
Duncan Antiquity Review
Duncan Mini Humbuckers
Early Squier Strats
Easier Rewiring
ES 125 info
ES 335 Pro
Feiten Intonation Offsets
Fender Clapton ckt
Fender Custom Shop
Fender Customer Service
Fender Decal Procedure
Fender Japan Serial Numbers
Fender Japan Strat Dates
Fender MasterBuilt
Fender Neck Shapes
Fender pickup specs
Fit HB in P90 hole
Folk web site
Fralin Review
Fralin Strat mod
Fralins vs Antiquity HBs
Fret Buzz Finder
Fret Dressing
Fret Filing Shields
G L Legacy Pickups
Gatton article
Gatton Records
Gatton Web Site
Gibson 70s LPs
Gibson Case Locks
Gibson flaws
Gibson on the Web
Gibson Phone No
Gibson VariTone
guitar
Harp Pickups
Heritage Contact
Heritage Dating
Heritage H 555 Review
Hot Rod Lincoln lick
How Nashville Works
How To Mount Mini Humbuckers
Hum Cancelling Pickups
Humbucker Wiring Codes
Humbuckers like P90s
Its In The Hands
Jazz Guitar page
Jazzmasters
JD Telecaster Wiring
Kinman pickups
Les Paul prices 1975
Les Paul Video
List Prices
LSR nut dissent
Make Your Own Pickups
Matching pickup volumes
Mexi vs American Strats
Mexicasters
Mono cord w ES 345
Mosrite Info
No Crowning Files
P 90 options
P 90 specs
PAF myths
Parts Suppliers
Pawn Shops
Pawnshop Tips
Pearl Inlay I
Pearl Inlay II
Pearl Inlay III
Pickup Wiring By Mfr
Pitch Frequencies
Poplar Pros
Pot mod
Pot mods
Pot values
Potting Pickups
PRS Soapbar Review
PRS Swamp Ash Special
Rewiring summary
Rick O Sound
Safe Guitar Stands
Shielding FAQ
Shielding Procedure
Shielding=Capacitance
Signature Models
Slider Straps
Strat 54 reissues
Strat blend pot
Strat Plus body wood
Strat Rewiring
Strat Setup Tips
Strat Tailblock Construction
Strat Tone Wiring
Strat Variations
Suhr and Knopfler
Suhr Guitars Trip
Suhr On TX Specials
Suhr Tele Review
T Top Humbuckers
TBX circuit
Tele elevator plate
Tex Mex Strat
Top 41 Excuses
Torres Tone Knob
Truss Rods
Turn It Down
Varitone FAQ
Varitone Info
Vendor Barden
Vintage Turds
Volume pot capacitance
vs100 review
vs100 update
What is Chromyte
Who Is Ted McCarty
Why Buy Heritage
Why Poplar Opaque Finishes
Wiring Schemes
Wood Comparisons
WWW Archtop maker
WWW pickup FAQ
Zappa on Guitar

micK pages
Amps
Caps
Circuits
D-I-Y
Effects
Fender
Guitars
Q & A
Speakers
Tubes
Vendors

 


Mic Kaczmarczik's USENET Articles

Circuits Guitars Fender Amps
Tubes DIY (do it yourself) Caps
qanda (Questions and Answers) Speakers Vendors
Effects
Popular Pages

Canned Ebay Searches

Amps:
Microphones:
Effects:
Harmonicas and Gear:
Harmonica Music and Instruction: