Mic Kaczmarczik's Proper Blackfacing Information

Proper Blackfacing


Fender

Proper Blackfacing

This directory contains USENET articles Mic has saved about guitars, equipment, pickup, techniques, players, and so on. Mic has graciously granted permission to post the stuff on the JT30 page on the off chance that it might be useful in the context of Blues Harmonica. Mic is not responsible for the content, just the collection.

Fender

Proper Blackfacing
From john_g00--(at)--otmail.com Wed Aug 19 19:08:38 CDT 1998
Article: 122474 of alt.guitar.amps
From: "johng"
Newsgroups: alt.guitar.amps
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Subject: Re: More than one way to blackface an amp?
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Jim Kroger wrote in message ...


yadda...yadda...yadda....


>My very knowledgeable friend John Greene said he clipped
>the power tube grid resistors (in his DR), changed four
>resistor values in the phase inverter, and did something
>with one of the caps in the PI. He also noted the increase
>in bass response. I'm a bit mystified as to whether the techs
>are doing something else in addition, or what.


Well, you almost got it right... ;)


I clipped the 1200pF snubbing caps on the grids of the power tubes. I
changed the 47K plate resistors on the phase inverted to 82K/100K. I changed
the 330K resistors on the grids of the phase inverter to 1Megs, and finally
I changed the coupling capacitor on the input to the phase inverter to a
.001uF.


The 1200pF caps on the power tubes suck tone big time and are definitely
worth taking off. IMHO, I think the 330K/1Meg & .01uF/.001uF change was done
by Fender to compensate for the lack of low frequency response in the Oxford
and later Utah speakers. It gives these speakers back some of the bottom end
but cause the amp to start distorting at a much lower level. Again, that's
just my take on it.


(a generous helping of personal opinion follows...)


I think the change to 47K plate resistors was to try and compensate for the
loss of high frequency response the 1200pF capacitors caused. They didn't
want to get rid of the caps because it would require more careful assembly
work to keep the output stage from oscillating, more careful work == higher
manufacturing cost. I tend to think whoever put the 1200pF caps in there to
begin with figured that with the series 1500 resistors the rolloff frequency
would be up around 88KHz, no harm-no foul. However, what wasn't taken into
account was the impedance of the 1200pF being in parallel with the 220K bias
resistors and how it loads down the phase inverter. With the caps installed,
the gain of the phase inverter has a significant drop in gain at just over
1KHz. By reducing the value of the plate resistors to 47k, this corner
frequency moves up to around 2KHz with an overall gain reduction of a little
more than 3dB, better but not good enough.


>Is there a correct approach to blackfacing? Why, if
>they are all emulating the same schematic, is there
>disagreement?


There really shouldn't. I think the disagreement comes in because of
conversions that are only done part way, i.e. the components are changed but
the speaker isn't. When I first Blackfaced my 74 DR, I left the original
Utah speaker installed. The amp sounded thin and weak after the change. I
didn't like it at all. So I changed the 1Megs back to 330K and the .001uF
coupling cap back to a .01uF. However, once I put a Naylor in there I
changed them back again and tone city!


The only thing left to make it a *True* BF conversion would be to replace
the power transformer with a BF transformer so I could use a GZ34 rectifier
tube. I suspect that the major difference this makes would be apparent more
when the amp is cranked, something I rarely do so I haven't bothered with
it.


The best part about Blackfacing a DR is that it is just component value
changes, very easy to change back if you don't like the results.


--john greene






 

Index:

1974 prices
3 Spring Reverb Tanks
3 Wire Cord installation
5R4 not enough current
5V4 in BF Deluxe
6550s in Super
68 Princeton Rectifier
68 Super Reverb
6L6 in Champ Again
6L6 in Deluxe LV
6L6 in Deluxe Reverb
6SC7 to 12AX7
6V6 In 6L6 Amp Test
6V6 in Showman Test
6V6s in Super
AA vs AB 763
AA763 vs AB763
Alternative Switches
Bad Fender Mods
Bandmaster Cathode Bias
Bassman 10 info
Bassman Head Running 2ohms
Beef Up Tweed Champ
Birth of Fender Reverb
Blackface Cabinet Dates
Blackface Pro
Blame UL
Blues Deluxe review
Brown Bassman Transformers
Brownface Trem Pulse
Brownface Tremolux Cabinets
CBS Deluxe Reverb Changes
Champ 8ohms
Champ problems
Champ speakers
Champ Transformers
Choke Specs
Clean Ckt Board
Concert Head Footswitch
Dead Amp Checkout
Deluxe Cathode Bias Mod
Deluxe reissue vs original
Deluxe Tweed vs BF
Design Eras
Detailed AB568 test
diy
Dr Z Harp Amp Mods
Early Blackfacing
Ed Jahns Xformers
Eyelet Board Problems
Faceplate Restoration
Factory Mistakes
Fender 6V6 Overvoltage
Fender AA568 circuit
Fender Alternative Footswitches
Fender Amp Covering
Fender Amp Dating
Fender amp tremolo
Fender Amp Tremolos
Fender bad Supers
Fender BF Bassman mods
Fender BF SF changes
Fender Bias Pot Failures
Fender Bias Schemes
Fender Blackface
Fender Blues Deluxe Settings
Fender brownface topology
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Fender Channel Coupling Caps
Fender Combo Reverb trick
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Fender Reverb FX loop
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Fender Reverb Transformer
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Fender RI Reverb Tube
Fender RI Reverb Tweaks
Fender SF vs BF
Fender Silverface facts
Fender speaker recs
Fender Super 60 price
Fender Super pricing
Fender SuperChamps
Fender The Twin
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Fender Tube Chart Dates
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Fender Was Dumb
fender
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Invert normal channel
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More Pro Reverb
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PA 100
Pot Tapers
Princeton Adjustable Bias
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Princeton Mods
Princeton PI Headroom
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Princeton Reverb Power
Princeton Reverb Tweaks
Princeton tone bypass
Princeton Vs Deluxe
Princeton with 5881s
Pro Reverb baffles
Pro Reverb History
Pro Reverb Orig Speakers
Pro Reverb Parts
Pro Reverb Questions
Pro Reverb Speakers
Pro with a 15
Proper Blackfacing
Pull Boost Failures
Red Knob Twin problems
Reduce Champ Screen Voltage
Replacing Glued Baffles
Restoring Grille Cloth
Reverb Amp Effects Loop
Reverb Fixes
Reverb Pan Bottom
Reverb Trans Specs
Reverb Unit Mods Page
RI Bassman Mods
Rivera Designed Fenders
Scrape Vibrato Pot
Screen Resistors
SF Deluxe mods
SF Deluxe Reverb Questions
SF Reverb Cathode Resistor
SF Vibrolux Changes
Shielding Plate Problems
Showman vs Twin
Silverface Changes
Silverface Pro Reverbs
Small Trannys Sometimes Better
Super Champ 6C10
Super Molestation
Super Too Much Bass
Tolex Repairs
Tremolo Tick Tips
Tweed Champ Filter Caps
Tweed Deluxe Bypass Cap
Tweed Deluxe Transformers
Tweed Twins
Twin Reverb History
Twin Reverb overdrive
Twin Reverb Variants
Vibrato Click Fixes
Vibrato Tick Svc Bltn 9
Vibro King fat switch
Vibro King info
Vibroverb tone
What is Hi Pot
What Makes Fender Sound
What Was Ice Cube
Why 68K Input Resistors
Why No More Cloth Wire
Why Silverface Changes

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