Mic Kaczmarczik's More Pro Reverb Information

More Pro Reverb


Fender

More Pro Reverb

This directory contains USENET articles Mic has saved about guitars, equipment, pickup, techniques, players, and so on. Mic has graciously granted permission to post the stuff on the JT30 page on the off chance that it might be useful in the context of Blues Harmonica. Mic is not responsible for the content, just the collection.

Fender

More Pro Reverb
From moskowi--(at)--anix.com Sun Oct 1 10:59:30 CDT 1995
Article: 4064 of alt.guitar.amps
From: moskowi--(at)--anix.com (Len Moskowitz)
Newsgroups: alt.guitar.amps,rec.music.makers.guitar
Subject: Re: Info on Fender Pro Reverb wanted
Date: 29 Sep 1995 14:38:54 -0400
Organization: Panix
Lines: 45
Message-ID: <44hefu$sl--(at)--anix3.panix.com>
References: <43n84r$gg--(at)--ielo.uta.fi> <43t2v6$fn--(at)--xnews2.ix.netcom.com> <444g6f$9a--(at)--arcia.efn.org>
NNTP-Posting-Host: panix3.panix.com
Xref: geraldo.cc.utexas.edu alt.guitar.amps:4064 rec.music.makers.guitar:65590


In article <444g6f$9a--(at)--arcia.efn.org>, Jeff Olsen
wrote:


>I'm salivating over a blackface Pro reverb at the shop I work at now;
>I've heard that many of the silverface amps are revertable to black spec
>pretty easily, and that the Pro was one of the the less messed-with amps
>anyway by CBS engineers.


Most of the silverfaced Pro needn't be modified -- just the ones in '69
and early '70 with the 150 Ohm resistors in the cathode circuit. The
later ones were reverted to the blackface specs with some useful
improvements that make them even better than the '65 & '66 blackfaced
and '66 - '68 silverfaced Pros (IMO).


>Does it make sense to spring for the black one
>(great shape, except the original "feet" were removed and replaced with
>casters) for around 800 bucks, or get a silver and revert it? Anyone
>done this particular conversion?


That's a dealer price. You can get one privately for $650 to $750. If
all you are after is tone, the '71 and later (until the master volume
mods came in on the Fender line) sound great and are good values. I
have a '71 for sale for $550 (or best offer) in excellent original
shape; you can find them lower priced in lesser condition.


The blackfaced amps have one interesting feature that the later ones
don't: the baffle board is removeable. This allows you to easily
substitute other speaker combinations. For example, I have plans to put
a 15" JBL D-130 in mine to give me something akin to a Vibroverb. I'll
be able to restore it to stock without any problem if I should care to.
The silverfaced amps have a non-removeable baffle.


>As an owner of a Blackface Deluxe Reverb that has appreciated about 200
>dollars over the last year and a half, I don't mind springing for the
>black Pro, although I know it's not as collectable as the Deluxe. Boy,
>does it sound good, though...


They sure do and the tube rectifier has a lot to do with that. In my
opinion, the Pro Reverb is best amp Fender ever made.


--
Len Moskowitz
Core Sound
moskowi--(at)--anix.com


From moskowi--(at)--anix.com Sun Oct 1 10:59:56 CDT 1995
Article: 4097 of alt.guitar.amps
From: moskowi--(at)--anix.com (Len Moskowitz)
Newsgroups: alt.guitar.amps,rec.music.makers.guitar
Subject: Re: Info on Fender Pro Reverb wanted
Date: 1 Oct 1995 10:33:52 -0400
Organization: Panix
Lines: 18
Message-ID: <44m8sg$nv--(at)--anix3.panix.com>
References: <43n84r$gg--(at)--ielo.uta.fi> <444g6f$9a--(at)--arcia.efn.org> <44hefu$sl--(at)--anix3.panix.com>
NNTP-Posting-Host: panix3.panix.com
Xref: geraldo.cc.utexas.edu alt.guitar.amps:4097 rec.music.makers.guitar:65716


I wrote:


>The blackfaced amps have one interesting feature that the later ones
>don't: the baffle board is removeable. This allows you to easily
>substitute other speaker combinations. For example, I have plans to put
>a 15" JBL D-130 in mine to give me something akin to a Vibroverb. I'll
>be able to restore it to stock without any problem if I should care to.
>The silverfaced amps have a non-removeable baffle.


I should have qualified this. The silverfaced amps from 1972 onward
have the non-removable baffle boards. All the blackfaced ones and the
silverfaced ones from '66 to '71 have removable baffles.


--
Len Moskowitz
Core Sound
moskowi--(at)--anix.com





 

Index:

1974 prices
3 Spring Reverb Tanks
3 Wire Cord installation
5R4 not enough current
5V4 in BF Deluxe
6550s in Super
68 Princeton Rectifier
68 Super Reverb
6L6 in Champ Again
6L6 in Deluxe LV
6L6 in Deluxe Reverb
6SC7 to 12AX7
6V6 In 6L6 Amp Test
6V6 in Showman Test
6V6s in Super
AA vs AB 763
AA763 vs AB763
Alternative Switches
Bad Fender Mods
Bandmaster Cathode Bias
Bassman 10 info
Bassman Head Running 2ohms
Beef Up Tweed Champ
Birth of Fender Reverb
Blackface Cabinet Dates
Blackface Pro
Blame UL
Blues Deluxe review
Brown Bassman Transformers
Brownface Trem Pulse
Brownface Tremolux Cabinets
CBS Deluxe Reverb Changes
Champ 8ohms
Champ problems
Champ speakers
Champ Transformers
Choke Specs
Clean Ckt Board
Concert Head Footswitch
Dead Amp Checkout
Deluxe Cathode Bias Mod
Deluxe reissue vs original
Deluxe Tweed vs BF
Design Eras
Detailed AB568 test
diy
Dr Z Harp Amp Mods
Early Blackfacing
Ed Jahns Xformers
Eyelet Board Problems
Faceplate Restoration
Factory Mistakes
Fender 6V6 Overvoltage
Fender AA568 circuit
Fender Alternative Footswitches
Fender Amp Covering
Fender Amp Dating
Fender amp tremolo
Fender Amp Tremolos
Fender bad Supers
Fender BF Bassman mods
Fender BF SF changes
Fender Bias Pot Failures
Fender Bias Schemes
Fender Blackface
Fender Blues Deluxe Settings
Fender brownface topology
Fender Cap Replacements
Fender Channel Coupling Caps
Fender Combo Reverb trick
Fender Concert Reissue
Fender Concert Tremolo
Fender Correct Tubes
Fender coupling caps
Fender decrease reverb mix
Fender Deluxe Power Trans
Fender Deluxe reissue
Fender diodes
Fender Ext Spkr Jack
Fender Grill Cloth
Fender ID circuits
Fender Input Jacks
Fender Midrange Knob
Fender neg feedback
Fender Normal Channel
Fender replacement parts
Fender Reverb Both Channels
Fender Reverb FX loop
Fender Reverb Reissue
Fender Reverb Transformer
Fender RI Reverb mods
Fender RI Reverb Tube
Fender RI Reverb Tweaks
Fender SF vs BF
Fender Silverface facts
Fender speaker recs
Fender Super 60 price
Fender Super pricing
Fender SuperChamps
Fender The Twin
Fender tone circuit boost
Fender Tone Circuit
Fender Tone Circuits
Fender Transformer Codes
Fender Treble Caps
Fender Tube Chart Dates
Fender Vib Rev Pedal
Fender vibrato pot
Fender Vibrato Ticking
Fender Vibro King circuit
Fender Vibrolux RI review
Fender VibroVerb
Fender Was Dumb
fender
Footswitch specs
Grid Blocking
Homebrew Vibroverb
Invert normal channel
Knob Changes
More Pro Reverb
Narrow Deluxe Chassis
No 5R4s
Normal Channel Delay
PA 100
Pot Tapers
Princeton Adjustable Bias
Princeton driver mods
Princeton Mods
Princeton PI Headroom
Princeton PI Heater Cathode v
Princeton PI Mod Layout
Princeton Reverb Power
Princeton Reverb Tweaks
Princeton tone bypass
Princeton Vs Deluxe
Princeton with 5881s
Pro Reverb baffles
Pro Reverb History
Pro Reverb Orig Speakers
Pro Reverb Parts
Pro Reverb Questions
Pro Reverb Speakers
Pro with a 15
Proper Blackfacing
Pull Boost Failures
Red Knob Twin problems
Reduce Champ Screen Voltage
Replacing Glued Baffles
Restoring Grille Cloth
Reverb Amp Effects Loop
Reverb Fixes
Reverb Pan Bottom
Reverb Trans Specs
Reverb Unit Mods Page
RI Bassman Mods
Rivera Designed Fenders
Scrape Vibrato Pot
Screen Resistors
SF Deluxe mods
SF Deluxe Reverb Questions
SF Reverb Cathode Resistor
SF Vibrolux Changes
Shielding Plate Problems
Showman vs Twin
Silverface Changes
Silverface Pro Reverbs
Small Trannys Sometimes Better
Super Champ 6C10
Super Molestation
Super Too Much Bass
Tolex Repairs
Tremolo Tick Tips
Tweed Champ Filter Caps
Tweed Deluxe Bypass Cap
Tweed Deluxe Transformers
Tweed Twins
Twin Reverb History
Twin Reverb overdrive
Twin Reverb Variants
Vibrato Click Fixes
Vibrato Tick Svc Bltn 9
Vibro King fat switch
Vibro King info
Vibroverb tone
What is Hi Pot
What Makes Fender Sound
What Was Ice Cube
Why 68K Input Resistors
Why No More Cloth Wire
Why Silverface Changes

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