This directory contains USENET articles Mic
has saved about guitars, equipment, pickup, techniques, players,
and so on. Mic has graciously granted permission to post the
stuff on the JT30 page on the off chance that it might be useful
in the context of Blues Harmonica. Mic is not responsible for
the content, just the collection.
In harr--(at)--oundsmith.com (harry kolbe soundsmith inc.) writes:
>>Mike Glantz wrote:
>>>
>>> A couple of months ago, someone posted a short article saying
>>> that someone had done some research which demonstrated a new
>>> way of measuring distortion which would explain why tubes sound
>A paper entitled "Measurement of a Neglected Circuit Characteristic"
>was read at the 100th Convention of the Audio Engineering Society,
>May 11- 14 1996 in Copenhagen. The author of this paper is Gerard
>Perrot and it is available as Preprint # 4282 (T6) from the AES.
>This paper presents a measurement method for circuit memory.
>The author proposes and I agree that the signal "memory" of
>cicuits and cicuit components is a form of distortion that correlates
>well with listening test.
In brief: current through components heats them up, causing shifts in
operating parameters so that the circuit in the moments after a loud
sound is different from the same circuit after not so loud sounds.
Perrot has a patent on a solid state circuit topology that eliminates
this. The AES paper is well written, as is the patent. He's also
written a broader paper on the problem, including some earlier
discussions published in the French magazine l'Audiophile under the
pseudonym "Hephaistos" that explains these theories, and measurements
to reveal them.
--
David Josephson / Josephson Engineering / San Jose CA / davi--(at)--osephson.com