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Date: Wed, 20 Feb 2002 22:21:32 EST
From: PL5~ol.com
Subject: Re: Offer you can't refuse-Walter Horton side think

- --part1_183.3f0d654.29a5c1bc_boundary

In a message dated 2/20/02 9:56:28 PM Eastern Standard Time, Clj~ol.com
writes:

> Hi all,
> I've been listening to "An Offer You Can't Refuse" CD, the Big Walter
> side, after not hearing it for quite some time. After overlooking the
> recording is a semi-tone higher than the actual key the song is played in
> (except for the last tune "Walter's Boogie", which stange as it seems is
I
> think a 1/4 tone higher) I fell for these cuts all over again. They are
> really something else. Maybe, IMHO, his best stuff. And I have 90% of his
> work.
> First of all it's acoustic, which really let's you hear how GREAT a
> player Horton is.
> Secondly, Robert Nighthawk is brilliant playing rythum guitar behind
> Walter.
> And Thirderly, Walter's singing is in it's finest form. I feel he is
> really an underrated blues singer.
> Each tune is a work of art. Up there with the best of any form of music.
> Singing, harp, and guitar blend perfectly.
> There is a lifetime of lessons on this CD. His playing blows me away
each
> time I listen. How does he do it? The better player I get to be, the more
I
> understand just how masterful Big Walter Horton was over his instrument.
> Oh, I should mention Butterfields early career live show side is worth
the
> price of the CD alone.
>
> Happy everything,
> chrisM

I think the Horton sides are a Semi-tone lower actually, that is unless
Horton on a Number of tunes is playing an Ab harp (Which I doubt). I
actually
did my own copy of this in the right speed. I took the CD recorded it to
tape
and then taped the tape at the right (higher) speed. I tuned it by ear with
a
D harp on "Easy" so I could tell if I had the right speed. When you have
this recording in its proper speed it really opens up. Horton is kicking
butt
on the recording, and puts down a literal encyclopedia of phrasing( You can
spend years on this recording copping licks and still not find them all).
Its
a favorite for sure, if you don't own it, sell your Shaker Mic and buy it.

The other killer CD with Horton on it is The "Chicago/ The Blues/ Today
Volume 3". If you find this CD, BUY IT! You will not regret it. Its Horton
playing with Johnny Shines and Johnny Young. Horton is in fine form on all
cuts, also Charlie Musselwhite sits in on one cut too.

Keep rawkin'

Andrew

- --part1_183.3f0d654.29a5c1bc_boundary

In a message dated 2/20/02
9:56:28 PM Eastern Standard Time, Clj~ol.com writes:





Hi all,

  I've been listening to "An Offer You Can't Refuse" CD, the Big Walter
side, after not hearing it for quite some time. After overlooking the
recording is a semi-tone higher than the actual key the song is played in
(except for the last tune "Walter's Boogie", which  stange as it seems
is I think a 1/4 tone higher) I fell for these cuts all over again. They are
really something  else. Maybe, IMHO, his best stuff. And I have 90% of
his work.

  First of all it's acoustic, which really let's you hear how GREAT a
player Horton is.

  Secondly, Robert Nighthawk is brilliant playing rythum guitar behind
Walter.

  And Thirderly, Walter's singing is in it's finest form. I feel he is
really an underrated blues singer.

  Each tune is a work of art. Up there with the best of any form of
music. Singing, harp, and guitar blend perfectly.

  There is a lifetime of lessons on this CD. His playing blows me away
each time I listen. How does he do it? The better player I get to be, the
more I understand just how masterful Big Walter Horton was over his
instrument.

Oh, I should mention Butterfields early career live show side is worth the
price of the CD alone.




                     
Happy everything,


                                      
chrisM




  I think the Horton sides are a Semi-tone lower actually, that
is unless Horton on a Number of tunes is playing an Ab harp (Which I doubt).
I actually did my own copy of this in the right speed. I took the CD
recorded it to tape and then taped the tape at the right (higher) speed. I
tuned it by ear with a D harp on "Easy" so I could tell if I had the right
speed.  When you have this recording in its proper speed it really
opens up. Horton is kicking butt on the recording, and puts down a literal
encyclopedia of phrasing( You can spend years on this recording copping
licks and still not find them all). Its a favorite for sure, if you don't
own it, sell your Shaker Mic and buy it.



The other killer CD with Horton on it is The "Chicago/ The Blues/ Today
Volume 3"
. If you find this CD, BUY IT! You will not regret it. Its
Horton playing with Johnny Shines and Johnny Young. Horton is in fine form
on all cuts, also Charlie Musselwhite sits in on one cut too.



Keep rawkin'



Andrew


- --part1_183.3f0d654.29a5c1bc_boundary--