Date: Wed, 20 Feb 2002 13:43:53 -0800 (PST) From: Mojo Red Subject: Alas, to mic a Small Amp
Hi gang,
I recently acquired a very Very toneful small amp... it's a small (6/7 watts) 60s vintage Harmony 304C class A tube job (nicely modded by John Onofrio). Simple, yet a real tone monster. No reverb, so I acquired a Boss RV3 Reverb/Delay pedal.
Okay, it sounded ~awesome~ in my bedroom playing through my JT-30 (didn't feed back even when I cranked the little bugger), but when I took it to my last gig and tried to mic it to the PA (using my SM57 mic), I found myself in Feedback City. Yikes!
Feedback lessened when I took the harp out of monitors, but it was sill on the edge and, worst of all, I couldn't hear myself play (and neither could my bandmates). Grrrrrr!
I swapped amps (back to my trusty Blues Jr.) for the second set to fill the glaring sound hole onstage, and had to disconnect the pedal altogether because now my BJ was feeding like never before.
Now I'm not a real gear head (though I play one on TV), so I'm kinda clueless about this stuff.
I had the amp behind and to my left, near the drums, set up on a chair. Would this feedback problem be eliminated if I placed the amp more forward?, say just past the monitors?
Is the Boss RV3 (digital reverb) a poor choice for this kind of setup? I have 30 days to take it back.
Your sage advice is very much welcome.
Harpin' in Colorado, - --Ken M.
===="When you speak of Walter Horton, the first thing you think of is his tone, that big, fat tone." - ---Li'l Ronnie Owens
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