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Date: Wed, 18 Jul 2001 16:16:34 EDT
From: PL5~ol.com
Subject: Re: Notes Used in Blues (was Re: Another history of the blues.)

- --part1_10f.29ab45f.288748a2_boundary

In a message dated 7/18/01 3:29:27 PM Eastern Daylight Time,
myqui~otmail.com writes:

> Harp content: The flat 5's in 2nd position are 2 draw whole step bend, 5
> draw, and 9 draw. The natural 5's are the 2 draw half step bend, the 5
> overblow, and the 9 blow bend. So if you ever play the 2', 5#, or 9>' in
> 2nd position you're playing the natural 5...
>
> Mike Will
>
>

Sorry Mike,
Aren't the flatted 5ths: the 1 draw whole step bend, 4 draw whole step ,
and
the 7 OD? I think you might be thinking of 1st position which has the 2 draw
half-step bend for the Flatted fifth and so on. Or are you talking about the
flatted 7th? By the way love your site , it rules !

Andrew

- --part1_10f.29ab45f.288748a2_boundary

In a message dated 7/18/01
3:29:27 PM Eastern Daylight Time,

myqui~otmail.com writes:





Harp content: The
flat 5's in 2nd position are 2 draw whole step bend, 5

draw, and 9 draw.  The natural 5's are the 2 draw half step bend,
the 5

overblow, and the 9 blow bend.  So if you ever play the 2', 5#, or
9>' in

2nd position you're playing the natural 5...



Mike Will



LANG="0">


LANG="0">

Sorry Mike,

Aren't the flatted 5ths: the 1 draw whole step bend, 4 draw whole step
, and

the 7 OD? I think you might be thinking of 1st position which has the 2
draw

half-step bend for the Flatted fifth and so on. Or are you talking about
the

flatted 7th? By the way love your site , it rules !



Andrew

- --part1_10f.29ab45f.288748a2_boundary--