From: Winslow Yerxa <76450.32~ompuServe.COM> Date: 14 Jun 97 19:23:57 EDT Subject: Hi everyone..
TO: internet:harp~arply.com
Christian Dechery writes
>and I noticed that in each and everyone of them there seem to have some >holes that don't sound OK... and some don't sound at all (like the 7 hole >drawing in the Marine Band)... and I don't know if this is caused by lack >of technique, or there's some problem with the harp(s).. guess that's >enough for one 1st mail... Cya!
And Tom Greer replies:
>Hello, Christian! Yep, there are some tough holes. 7-draw is a tough one, so >is 2-draw. 9-blow is very difficult. Chances are pretty good your harps are >fine. When working the high end of the harp, you really have to play "from >the head". You still form a deep pucker, jam the harm in nearly to your >teeth, and blow/draw... but arch your eyebrows way up, fill the top of your >chest with air (puff it way out!), crinkle your forehead, and play a slow, >soft, steady stream of air. If nothing sounds, don't stop the airflow, but >slowly adjust the angle of the harmonica. A little up, a little down, until >the note sounds. Draw notes are basically the same on the high end. The key >is to become very aware of your forehead. Hey, I even got frustrated, and >stuck a red sticker in the middle of my forehead! That was my "target". >That's were I was trying to aim the air when I pulled it in. Stupid? Yeah... >but it helped! > >I still have problems with 7-draw. Your technique has to be just right.
I dunno, guys. This sounds like WAY too much work on things that really have nothing to do with breathing into a harmonica. It may work for you, but I'm inclined to believe it works for the same reason that hopping up and down three times, reciting a poem, groaning loudly, then dialing the telephone will make a telephone connection.
Tom says:
You still form a deep pucker, jam the harm in nearly to your >teeth, and blow/draw... but arch your eyebrows way up, fill the top of your >chest with air (puff it way out!), crinkle your forehead,
In other words, hop up and down, recite the poem, and groan loudly, then
and play a slow, soft, steady stream of air.
In other words, dial the phone.
Now, let's say you put one of those harps on a harmonica tester - the little hand-pumped bellows in the music store, and the notes in question sounded. Did the bellows do all the stuff that Tom describes? No. But it also didn't do something else, and that's very important. It didn't scrunch its mouth up or put its tongue in the way ot close up its throat. It didn't block or impede the airflow. It delivered a soft, steady stream of air.
In other words, relax your throat - try yawning. Relax your neck and shoulders and chest. Relax your tongue. Let it lie like a blanket on the floor of your mouth (assuming you're puckering). Relax your jaw. Relax your lips. Now lift the harmonica to your lips, and press it lightly to them, just enough so that your lips receive the harp like a deep cushion, and form a seal so that no air can escape. But don't let the lips block the hole.
Now, breathe slowly, softly, steadily. The note should sound. This should work for any note on the harmonica. If it doesn't, then you're probably doing something to impede the airflow, and you need to check all the body parts I mentioned, and make sure they're relaxed.