Other web Sites
Harmonica Blues  Harmonica Amps
Harmonica Links Harmonica Pages
Archives Home
Years
 · 1992
 · 1993
 · 1994
 · 1995
 · 1996
 · 1997
 · 1998
 · 1999
 · 2000
 · 2001
 · 2002
 · 2003
 
Web HarpL
Ebay Searches:
Amps:
Microphones:
Effects:
Harmonicas and Gear:
Harmonica Music and Instruction:

 

 

Harp-L Archives

[Previous Message] [Next Message]

[Start of Thread] [End of Thread]

From: fjm/cja
Date: Wed, 09 Oct 1996 08:14:35 -0700 (MST)
Subject: 520 D

Try wiring the mic high impedance only instead of dual balanced. Start
with the treble on 2. Install a 1/4" input jack so you can disconnect
the cord. (Tom Ellis frowns on this) Be aware of the amp in the room and
keep it out of corners and away from walls. If it has 12" speakers
forget it in most cases. If you used an Astatic before this forget
everything you know about amp settings and start again. If you use
reverb turn it way down. Try turning off the brightness switch or if it
has a presence control turn it down some. If the amp has middle controls
start in the lower end and go up. Mids are better sounding than the
highs so abandon the treble response in favour of the middle. If it's a
Fender amp do use some treble because the tone controls in the off
position roll of the gain big time. 2 is usually a safe bottom for the
treble. Be aware that your volume setting will only be varied between 2
which is off and about 4 which is very loud in a big room. Maybe 5 if
it's a huge stage. If it's a master volume amp experiment with which
knob you get the volume the master or the gain. I think I remember that
on my master volume Twin the thing to do was barely use the master and
get the volume from the gain. Now if none of this works then you can get
the wallet out and buy an eq or new amp. fjm