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From: Michael Will
Date: Mon, 8 Jan 1996 00:54:30 GMT
Subject: How many diatonic kinds to play?

Is it better to play essentially one kind of (diatonic) harp, or is it better
to play many different kinds? What are the trade-offs? For example:

- - Play one kind and reduce the number of variables
- - Play many different kinds so you can
- - Play one kind to get completely "calibrated" to your harp
- - Play different harps according to their capabilities

- --==O Mic'l [Tip: There are overlaps, but--each hole of each key of each
kind of harp requires special treatment for the best tone and bending.]